100 Songs
Die Literaturliste und Playlist zum Ö1 Podcast.
Alle Songs zum Anhören in voller Länge in einer praktischen Playlist auf Spotify.
14. Mai 2024, 15:40
Miriam Makeba: "Pata Pata" (Südafrika, 1967)
- Allingham Rob (2009), "From 'Noma Kumnyama' to 'Pata Pata': A History", African Music, 8(3), 117-131
- Makeba Miriam, Mwamuka Nomsa (2004), "Makeba: The Miriam Makeba Story", Real African Publishers.
- Xaluva Nomfundo (2009), "An analysis of the musical style of Miriam Makeba", University Of Cape Town
Ton Steine Scherben: "Rauch Haus Song" (Deutschland, 1972)
- Reiser Rio, Eyber Hannes (2016), "König von Deutschland: Erinnerungen an Ton Steine Scherben und mehr", Kiwi Verlag
- Seidel Wolfgang (2020), "Scherben: Musik, Politik und Wirkung der Ton Steine Scherben", Ventil Verlag
Severina: "Djevojka sa sela" (Kroatien, 1998)
- Baker Catherine (2016), "Sounds of the Borderland: Popular Music, War and Nationalism in Croatia since 1991", Ashgate Publishing
- Jakiša Miranda (2013), "Kroatische Literatur heute: Realitätsbesessenheit und Protestkultur", Ost-West: Europäische Perspektiven 3/2013
Billie Eilish: "Bad Guy" (USA, 2019)
- Holmes Jessica (2023), "Billie Eilish and the Feminist Aesthetics of Depression: White Femininity, Generation Z, and Whisper Singing", Journal of the American Musicological Society Vol. 76, no. 3
- Pearson Elsa (2023), "Post-feminist luminosities: Negotiating covering the female body in the contemporary media environment", Central European University.
Marlene Dietrich: "Lili Marleen" (USA / Deutschland, 1944)
- Bergemeier, Horst/Lotz, Rainer E./Kühn, Volker (2005), "Lili Marleen an allen Fronten - Ein Lied geht um die Welt", Bear Family Records
- Frey Heike (2020), "Lilli Marleen hatt einen Kameraden: Musik in der Wehrmacht-Truppenbetreuung 1939–1945", Münster, New York: Waxmann 2020. De Gruyter.
- Schepping Wilhelm (2007), "Lili Marleen: Eine denkwürdige Liedbiographie. In: Good-bye memories? Lieder im Generationengedächtnis des 20. Jahrhunderts", Essen. Klartext Verlag.
- Wicke Peter, "Lale Andersen: Lili Marleen. Songlexikon: Encyclopedia of Songs", Zentrum für Populäre Kultur und Musik der Universität Freiburg.
Violeta Parra: "Gracias A La Vida" (Chile, 1966)
- Batlle Lathrop María (2021), "Violeta Parra: musical and political legacy of a cantora", Ethnomusicology Forum, 30(3), 358–378.
- Santiago Londono, "Violeta: An Ethnographic and Socio-Cultural Understanding of Parra's Artistic Sensibility", Wake Forest University.
The Cranberries: "Zombie" (Irland, 1993)
- Rolston Bill (2001), "This is not a rebel song': the Irish conflict and popular music", Race and Class Vol. 42(3) 2001: 49-67, University Of Ulster.
- Green, Clare Alexandra. (2019), "Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the use of Music During the Northern Irish Conflict, 1962-2000", PhD Dissertation, Queen Mary, University of London.
Ivy Queen: "Quiero Bailar" (Puerto Rico, 2002)
- Rivera-Rideau Petra (2015), "Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico", Duke University Press.
- Rivera Raquel Z., Marshall Wayne, Pacini Hernandez Deborah (2009), "Reggaeton: Refiguring American Music", Duke University Press.
João Gilberto: “Chega de Saudade“ (Brasilien, 1958)
- Castro Ruy (2000). "Bossa Nova: The story of the Brazilian music that seduced the world", A Capella Books
- McCann Bryann (2004). "Hello Hello: Popular Music in the Making of Modern Brazil", Duke University Press
- McCann Bryann (2018). "Getz / Gilberto", Bloomsbury Academic
- Prutsch Ursula, Rodrigues-Moura Enrique (2013). "Brasilien: Eine Kulturgeschichte", Transcript
The Maytals: “Pressure Drop“ (Jamaika, 1969)
- Cooper Carolyn (1995), "Noises in the Blood: Orality, Gender and the 'Vulgar' Body of Jamaican Popular Culture", Duke University Press
- Lloyd Bradley (2001), "Bass Culture: When Reggae Was King", Penguin UK
- Zips Werner (2015), "Hail di Riddim: Reportagen aus dem Reggaeversum", Promedia Verlag
- Zips Werner (2016), "Schwarze Rebellen: Maroon-Widerstand in Jamaica", Lit Verlag
- Zips Werner (2010), "Rastafari: Eine Universale Philosophie im Dritten Jahrtausend", Promedia
M.I.A.: “Paper Planes” (UK, 2008)
- Hutnyk John (2012), "Poetry after Guantanamo: M.I.A", Research Gate
- Rollefson Griffith J. (2017), "Flip the Script: European Hip Hop and the Politics of Postcoloniality, "The University Of Chicago Press
- Weems Lisa (2014), "Refuting "Refugee Chic": Transnational Girl(hood)s and the Guerilla Pedagogy of M.I.A", In: Feminist Formations, Vol.26 No.1. The Johns Hopkins University Press
Service
Konzept und Gestaltung: Stefan Niederwieser. Redaktion und Studioregie: Astrid Schwarz. Podcast-Produktion: Monika Kalcsics. Redaktionsleitung: Ina Zwerger.
Eine Produktion des Ö1 Radiokollegs in Zusammenarbeit mit ORF SOUND.
