GAIA’s Lament — rezitiert von Lydia Lunch

Von: Epitaten (Text) & Lydia Lunch (Sound & Narration) | 10. Juli 2020, 20:35

GAIA’s Lament

There is this boundary space between zero and one:
Series of roots of ones fractioned to infinity
phi,…
famously a topic of many obscure speculations on the foundations of the Universe.
In the context of the infinite 5-dimensional space
which works like a machine that cuts each piece into ∆ golden triangles
it may well gain a new/ old significance.
Plato’s ascribed the permutations of these triangles to the wet nurse of becoming
who cradles them into matter in all sorts of symmetries, colors, states of aggregation
& frequencies forming the living intelligent pattern of the world. 1.08

In the center of this infinite 5D space machine
we find the geometrical shape of the dodecahedron,
a regular 12-sided shape that the astronomer Johannes Kepler assigned to the earth
& before him Plato & Pythagorus
Panagia, the dreaming creature, dreaming of living creatures living in living creatures

Plato named the construction of triangles which is forming this shape " the 5th element“,

Aristotle spoke of it as „quintessence“—also known as the all permeating luminiferous
aether —synonymous for the seat of the gods & electromagnetic forces,
the light & intelligence .
famously declared as superfluous in 1905 by Einstein -- who was wrong.

The visualization of the hypersphere S3 by means of the unit cells of 5-dimensional space conforms to the Poincaré homology sphere which gives rise to new interpretation of the earth’ intrinsic dynamic
relying on the geometry of space itself.
— Where would the dynamics stem from, other-wise?
In meteorology the Coriolis force causes moving objects on the surface
of the Earth to be deflected to the right in the Northern Hemisphere
and to the left in the Southern Hemisphere.
This corresponds to Poincaré's description of counter-movements of the pentagons
of the dodecahedron, here visualized by epitahedra.
The same effect is responsible for the rotation of large cyclones.

This imaginary sparkling space grid was replaced & actually realized
by means of technical devices forming the radiance grid of satellites
which now provides us continuously with surveillance data of earth’ features:
both atmospheric and oceanic.

Two very severe cyclones Titli & Luban formed simultaneously
in the central Arabian Sea.
Moving upon ashore, Cyclone Luban produced flooding rains in Somalia, Oman, and Yemen.
The storm by Wednesday October 11 had reached wind speeds of 119-137km/hr
gusting up to 160km/hr
This was all over the west central Arabian Sea around the system’s centre.
The direct impact of these storms coming together
with heavy rains and strong winds
affected the coastline of Oman on the Arabian Peninsula starting from October 13, 2018
until they actually struck Yemen on October 14 in the midst of not only a civil war but a cholera outbreak.
The storm killed 24 people in the country and injured another 124 people.

When Titli made landfall in the south-Indian state of Andhra Pradesh at peak intensity and affected more then 5.7 million people it killed at least 85 due to heavy flooding and landslides
causing damage of US$ 920 million in South and West Bengal in total.
The life period of the system was 210 hours
very unusual a rare occurrence post-monsoon season.

Based on an underlying 5-dimensional space grid
we may also model a dynamic genesis of aerosol particles:
We take the icosahedral symmetries and use what Plato called „5th element“
higher dimensional spatial structure as formation generator.
It is inspired by fullerene (C60 and C70) model compounds
for the simulation of molecular dynamics.
These spacial features may well subscend dynamics in the air that shall lead to nanometer-sized particle formation and growth in the atmosphere.

Thus we are in the midst of a living pattern
that forms life & light & dust in the same way.







Text & Sound wurden ursprünglich für die Installation "GAIA 5.0. — A Holographic Image Ambience" produziert; für das DATAMI Resonances III Festival des Joint Research Center (JRC) der Europäischen Kommission (EC) in Ispra (IT) kuratiert von Freddy P. Grunert, ausgestellt im BOZAR - Palais des Beaux Arts Bruxelles (Dez. 2019 --Jan.2020).

Text: Epitaten / Renate C.-Z.-Quehenberger)
Sound- Mix : Lydia Lunch (unter Verwendung von Klangmaterial von Mia Zabelka & Zahra Mani)

Übersicht:
Entfernt verbunden - Simulation eines Austausches